I stole your eyes tear down all day

Editor's note: writing is concise! Author can skim a lotus express a sense of love, people sigh. Past all the War has become the present, that love, that of tears in between Meng Meng clear but faintly blurred, it is recommended to enjoy. The dark shadow of the moon, the breeze raised, smoke-filled, who is riding a horse stepped on the towering Red, diffuse through the golden clouds, ride all the way to the oldest of the JAC distant shores?
you, and you! Elegant woman dressed in white to wear, with delicate hand Qingwo a bamboo flute,abercrombie, as I sounded a regret heart sounds, all want to want to co-thoughts into the open around the mean tenderness, spills into a pool of gentle emotions, mallard Ran night in the ancient residues.
Who are you? And for whom? Every night wandering in the dim of the central, jealously guarding a pregnant wet Qianpan, immersed in the heart of any wind and rain in scattered rhyme, by the windowsill, gazing journeying, afar, waiting for this life has become the most touching of the heart knot.
me, and I,chaussure louboutin, willing to run out of silly,moncler femme, would rather cut begins Rouchang, for you I, affectionate look back. Every night in great, full of thick Acacia and a touch of melancholy, no one can read under the cold window frames, filled with the kind of sad.
past life, you are five hundred years ago I lost a lotus, inadvertently escape from my tender fingers, falling to a pool of pre-trial in Autumn. Suddenly, hidden in the deep lake, bent over trying to go to roll up, reaching the place, but full of cold, that graceful water wet my eyes, I also drop acid soft heart. However, it can not be stranded on your share of crazy, since you are my one misty rain in Sichuan, stationed a thousand and thousands of desire! Doomed to eternity which only you Que Que full sway tears ink memo,louboutin pas cher, trekking disseminated with your orchids like atmosphere, every word reveals hidden secrets of light several times, crushing the wet and the mind, condensation in between the eyebrows , into the lip between the spoken, to weave into a graceful and beautiful curtain of You Meng.
streamer fly forward, yellow falls, but I still stick to the JAC Lake, lonely and persistent carries round Fang tenderness and love. Looking back slowly, clear eye is sparkling three little knowledge, and those deep and shallow attachment, those endless long thoughts, expectations are day and night, what a mottled and lonely, having left out so I can not leave, do not want to leave ... until the pain to think the pain, to love into mourning.
life, I stole your eyes tear down all day, tempting to bear a long time between your imminent fall, the drop of crystal soaked with 100 rpm Rouchang, hidden in brush not to cut right through the eternal melancholy. Perhaps the breeze from that ray of graceful, buried a thousand years will be a mind blown over in the Autumn. Crumbled heart false charge, a touch of the clear halo of tears, rendering the heart inactive for many years the lake, splash layers of ripples, one will be sleeping a thousand years of lotus. Suddenly, waking leisurely, graceful gesture to gently urge the White Lotus out of a graceful and elegant, the fragrance exudes the millennium. Confuse the scene of an aroma Qinru my bone marrow,abercrombie & fitch, is that the drops of moisture or the share of Tears fine Sad, just quietly untied the knot of your past lives?
such as lotus woman Oh, I was the day journeying across the lake in Wuzhou Picking people, each lobe of your holiness, each petal fragrance, are deeply implanted in my eyebrows, let me indulge mind obsessed, you know? Life, you are open in my mind the most beautiful lotus flower, no one except me can read your Sentiment bloom, and you that elegant, graceful, refined fantastic I always chasing the lure.
waiting for you, keep the crazy in no regrets, faint Heartsongs, contaminated tracts of clouds thoughts; love you, in the thin Su Jian, the ink drops of tears, splashing wet roll of another volume of poetry.相关的主题文章：


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."