so the end of it

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REVIEW: always used in such a night, sitting in front of the computer beat the rows of loneliness and helplessness. Acacia on the keyboard every word I had never felt pain. When did you start hooked on the Internet, when an inadvertently added to the miss I have deep-seated. Looked at the familiar picture overtly or covertly, while they dare not show up. On some soft music, any tears dripping,casque dr dre, do not know the distance is thousands of miles apart can not really get used to always called off at such a late night,beats by dre, sitting in front of the computer beat the rows of loneliness and helplessness. Acacia on the keyboard every word I had never felt pain. When did you start hooked on the Internet, when an inadvertently added to the miss I have deep-seated. Looked at the familiar picture overtly or covertly,football chaussures, while they dare not show up.
open some soft music, he served as the tears fell, thousands of miles apart do not know the distance is not really able to cut off something called Acacia. I know I am a person from beginning to end is a no fruit in his drama,foot chaussures, joys and sorrows, joy grief you will not care, no intention to read your message space is only two words to others miss, you never know I feel bad for that moment you can hear the sound of breaking, but I have the courage to ask you, I am afraid of the answer makes me think you persist even have become illusory dream.
When I send you the information again and again,casque beats, and you back the information I have from the beginning was one seconds into a minute, and then a minute from now into five minutes, or even gone. A time of disappointment, the pain again and again, finally sinking, bleeding heart-breaking not the darn place.
told myself countless times fills it, so the end of it, can be received each time you pitiful greeting, warmth to the hearts will be raised again and again, look out the window ink sky, a cold blue moon and lonely, like most of the mood at the moment.
you to accompany me through a period of sluggish years, is the night you gave me too many warm, but also the most helpless to you when I gave me hope and courage to live, forget you had given I have so much fun. Forget to see the information you can not suppress a smile face, how can forget it these deep-seated joy.
night was heavy, you may have sleep, perhaps hidden the body, and I was alone in the cold night for you and stand by. Period of Acacia sing for you.
you and I became estranged, met only a grace. There is no resentment, no regret, for we have all had a good heart to cherish the other was a warm dream. Release of the flashy, Star of tears, Acacia broken.相关的主题文章：


You go for many years

李白《望庐山瀑布》赏析

亡羊谁补牢


BEIJING, July 29 – A Beijing bar is hosting a three-day blues festival starting on Friday, featuring a dozen bands and soloists from around the world.
Cafe CD Blues, on the Third Ring Road near the Agricultural Exhibition Center, and its previous location a few blocks further south, has been home to the city's alternative music scene since the 1980s.
It has been owned for nearly two years by veteran R&B singer and bass player "Big John" Zhang Ling.
Playing on Friday from 7 pm are Chinese band Little Inn, the US' Peter Muchinson Band, Bobo Stump from Japan, Matt Cooper (featuring Swiss Werner Fischer on guitar) and Defy, a Chinese rockabilly group. The night finishes at 1 am.
On Saturday, Joseph J. Johanna from New Zealand will perform folk blues from 3:30 pm, followed by Chinese band Out of Control, then Fernando Fidanza, the Peter Muchinson band again, Zhang Di and Lucy in an East meets West performance, and then the Big John Blues Band led by the bar's owner. The evening will finish with a blues jamming session from about 11:15 pm.
Fernando Fidanza will kick things off from 2:30 pm on Sunday with his Italian Blues. He'll be followed with a harp clinic and harmonica competition until 5 pm. Starting at 4:30 pm outside will be another set by Joseph J. Johanna, then Hong Kong's Chit Chat band, Hoochie Coochie Gentlemen, Bobo Stump and finally, The Chinese Hell Cats from 10:30 pm.
The cost of admission is 150 yuan ($23), including a free drink, for each day, or 400 yuan, including a free drink every day, for all three days.
"Beijing will have seen nothing like it," says one of the event's promoters, Beijing-based US businessman Craig Quick.
"This is a brilliant line-up of extremely talented musicians who know and love the blues inside out. It's going to be a tremendous occasion."
In the early 1980s, as bassist for Chinese rock legend Cui Jian, Zhang Lin developed a deep understanding of the development of modern music in China when Western music was considered "capitalist". He used to listen to The Beatles tracks smuggled in from the US.
Zhang studied bass in Australia and returned to China to collaborate with some of the top blues and jazz artists in the country, creating in 1995 China's first jazz fusion band, Tien Square. In 1996, he joined his old band mate, Cui, and International Monetary Fund vice-president John Anderson to form the first blues band in China, The Rhythm Dogs. He released his first solo album, Nu Ren De Ge (A Woman's Song), in 2008, and also runs a musician booking agency.
Many of the world's jazz greats have visited or performed at the CD Blues Cafe and Bar, including Wynton Marsalis, Kenny Garrett and Herbie Hancock's band.
Blues evolved from the unaccompanied vocal music and oral traditions imported from West Africa and rural tunes into a wide variety of styles and subgenres, with regional variations across the US.