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Related treatises Paris Fashion Week: Christian Dior spring/summer 2010 collectionParis Haute Couture: Christian Dior a/w 2009/10Paris fashion: John Galliano at Christian DiorLondon Fashion Week focuses on bras Dita Von Teese unveils new underwear rangeInside Christian Dior's perfumed garden
A flesh-tone and black lace corset, came with a black lace, ruffled skirt, sheer ample to show the lace-top hold-up stockings beneath. A sunray-pleated gown,tods men, as dazzlingly orange as a volcano, featured a crystal-and-sequin corset. Even a more strait-laced, seized and bowed, long, dinner dress, was in diaphanous ruddy chiffon, disclosing the black bra and knickers under.
"She was a normal client of M. Dior and I adored the motif of catching that 1940s Hollywood glamour and making it more present-day. And I liked the idea of the link between movie as one fantasy and the illusion of undressed dresses."
Corsetry was key for evening - a theme Galliano introduced earlier this annual in his autumn/winter,tods womens loafers, haute couture show because Dior.
Galliano said he had originally been inspired at package photographs of Bacall and Bogart, in the front row at Christian Dior shows.
But the information by Christian Dior this p.m. was quite definitely taken straight from the underwear drawer.
"I'd like to look Emma in some of those dresses," Willis said, later the show.
Necklines knotted with bows, short, puffed sleeves and high, platform wedge-shoes reverberated the retro vibe.
The exposure factor was especially forcible when dark mesh came over jewel-bright lavender or fuschia satin.
Sheer,tods shoes uk, 1940's-style clothes, see-through negligee-gowns and flimsy party-frocks were all a skylight onto a woman's maximum intimate possessions - her bra and knickers.
The show was staged opposition a 'film noir' backdrop of a outcast storehouse, suffused with dim light and dry ice. There was the sound of ponderous breathing, a tel ringing, a raucous wail, a gun-shot and then shrieks. Murder aboard the dancing layer? No, screenplay on the Dior catwalk. The models emerged, first, for distended shadows on a backlit shade.
The 1940s mode embraced vintage-look short dresses, in floral chiffon with ruffled skirts, or in metalline Lurex, pointelle knits, sewed to promote the bust and featuring built-in bras, knickers or petticoats.
Backstage, Galliano revealed the undercover secret: all the underwear was actually built-in, making getting dressed a one-step action for those ambitioning to disburse for such an valuable close-up.







The theme was 'film noir'. The models were made-up and coiffed like Lauren Bacall. And the designer, John Galliano, took his bow in a trench-coat and Homberg, a la Bogart, accessorised with a couple of black-and-white blotted pyjama pants.
BY Hilary Alexander |02 October 2009
In reserving with the Bacall-Bogart theme,tods loafers, the trench-coat was a opener chip, worn with jeweled-lace petticoats or satin French knickers.
Paris Fashion Week: Christian Dior - Telegraph
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Paris Fashion Week: Christian Dior
Hilary Alexander reviews the Christian Dior by John Galliano spring/summer 2010 accumulation from Paris Fashion Week.
The front-row line-up contained the Hollywood player,tods floral, Bruce Willis, and his new wife, Emma Heming, who was wearing a black-and-white, tailored Dior suit; the singer Rihanna; and the burlesque star, Dita Von Teese .

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