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Old 05-07-2011, 10:37 AM   #1
qingxiu33
 
Posts: n/a
Default 迷 木村拓哉

  一个偶像的成功与失败
  一个偶像的成熟
  他的新剧《change》的收视率为23.8%,绝不能说是一个不好的成就,只是对于木村拓哉来说,显 然是令人扫兴的。对他,观众的冀望是,收视率能有多高就多高。尤其是多少礼拜前开播的《极道鲜师3》,收视 率是26.4%。很多年来,木村拓哉的收视率一直颠扑不破,身家也一路看涨---这一次富士电视台出动木村 ,可是花了足足将近1亿日元的天价,创下了日剧历史上的最高片酬记载。
  他,35岁了。以前他始终引领潮流,代言Kanebo的唇膏,敏捷热销到断货;在《Hero》中穿橙黄 色羽绒衣,立刻全日本盛行。《change》中以外参加总统竞选的小学老师,恐怕不具备这样的能量了。他顶 着属于上世纪80年代的自来卷,带黑框眼镜,盛情木讷,像是街头上随时会跟你擦肩而过的中年男人,没了半分 以前的神色。良多人心中的木村,永远撅着相关的嘴唇,眼神飘忽迷离,时时刻刻在放电,索取着所有人的崇敬眼 光。实在他仍然美丽,光洁的肌肤,精巧的轮廓,眼神嘴角无一不精雕细琢,只是到底青春不再。
  他,究竟35岁了。他是该抖落“偶像”这件富丽袍子上的跳蚤,好好教训自己的内心。《Change》的 主题曲是麦当娜的新歌,片尾看到娜姐看该剧时带笑的表情,她也是50岁的女人了。以前广告商请木村拓哉派广 告,用CG记述吧玛丽莲・梦露和他合成在一个画面上,是名国天王和性感女神逾越时空的一次对话。有一种性感 ,是永恒的。就犹如麦当娜身上那件jean paul gaultier惊世骇俗的锥形胸衣,就如同玛丽莲・梦露被风撩起的裙裾;或者,就犹如木村拓哉在《悠长假 期》中缓缓弹奏钢琴,而后抬开端来,一派愁闷寡欢的神情,很多人切实那一霎时才知道男人也可以“眼如秋水澄 波,眉若东风拂柳”
   一个偶像的转型
  可以想象,当这些人看到木村在《武士的一分》中变成肮脏无用的盲武士,软趴趴烂泥个别任人践踏,恐怕会 意存不满,升值抱怨起导演山田洋次来:我们的木村何等英姿飒爽,怎能如斯蹂躏他!可是,这一部电影却让木村 拓哉彻底和过去说了byebye。他被日本电影学院和蓝丝带奖落款为最佳男主角候选人,他的经纪公司却为他 谢绝;一部老土的时代剧票房大卖40亿日元,发明了松竹映画公司有史以来最高的票房记载。这时候,是200 6年年末,他刚满34岁。这样靠实力获得的声誉,来得晚了些。2007年初,他走进《华美的一族》的剧组, 演绎一个悲剧男人的生命之旅,这是一个牵系着全部家族兴衰荣辱的命根子式人物,tods wallet。原作小说作者在评估他时,道:“木村拓哉杰出地诠释出了现在很多日本人失去的勇气,这令人很愉快。”一语 中的。
  这恰是木村拓哉的写照。他能一路长红,毫不仅仅是漂亮,更英俊的柏原崇当初已经成为大龙套;当然更不是 由于实力,事实上到今天木村拓哉的演技如何仍是饱受争议。他真正长盛不衰的起因所在,是他的气质,他传递出 的性命力,集中了日自己心坎最柔软处欧巴桑看见他,会想起顽强地儿子;�女看见他,会感到这样的男人值得依 附;男人看见他,便想成为这样的男人。他美的正好,不过分的嫌疑,轮廓诚然秀气诗意带近乎矫情的,眼角眉梢 的涣散却逢迎了越来越寻求自在解放的人们的内心。他在日剧中的角角色,往往固执地趾高气昂着,却又无限的率 性,在如许艰巨的环境下,都会奋勇长进,找到本人的人生价值,supra vaiders。他演来演去,演红了十多年,角色不外是这个模式一次又一次的猖狂复制。《恋爱世纪》《悠久假期》《美美人 生》《Hero》《Good Luck》……一个又一个日剧迷耳熟能详的角色,始终是阳光残暴的励志题材,只是给木村换个名字,换个环境 ,换个身份罢了,差别只在咫尺之间。
   一个偶像的遗憾
  
  他原来能够走得更远。1996年,享誉国际的大岛渚,邀请木村拓哉出演他的新片《御法式》,怎奈大导演 忽然中风拍摄而日程被耽误下来,从新开拍时木村已经没有档期了。这部电影于1999年完成,首映式上,大岛 渚表现,错失木村是他最为遗憾的事件。该片取得了2000年嘎纳电影节金棕榈大奖的多项提名,景色回到海内 拿了不少奖。可以设想,假如出演片中那位妩媚到超脱性别,wholesale perfume,引发所有凌乱的美男子的人是木村拓哉,将会掀起多么大的暴风巨浪。木村拓哉后来还是站到了嘎纳的红地毯上 ,他在王家卫《2046》中表演王菲的日本男友。这部片子的拍摄同样一拖再拖,王家卫拍片以没有剧本,为所 欲为著称,从1997年邀约木村拓哉,到1999年开机,晓得2004年才实现。木村在接收记者采访时,谈 到该片不满道:片名叫《2046》,那么只有在2046年前完成绩可以了。向来谨严的日本人无奈懂得王家卫 ,他们的工作往往是分秒必争的。他的档期有限,他必需在无数的综艺节目中一名国天王组合SMAP的一员呈现 ,他必须实行拍摄广告合约的内容,还有开不完的演唱会缺席不完的公然运动。他没有时光耗在大导演们天马行空 的艺术家性格上,他只能做个大明星,而非一个好演员��作为好演员,最少要是导演的良好配合者 。
  谁让他在杰尼斯,红在SMAP?这是无可奈何的,一个人到底不能丢了自己的基本,armani underwear。他红得很早,二十出头便已深刻人心,青春似乎可以漫长得可以随便耗费,媒体和观众称颂他是“咱们这个时代 的大明星”。于是他效忠职守,勤勤奋恳地履行着偶像的任务。20岁时,他演技灵光四溢,远超同龄人,十多年 从前,也不见得提高多少,当年被他甩在身后的人,许多已经成为影帝级别实力演员了。而他,新剧演出的时候观 众关怀的只是这一次和他在镜头前面贪恋的是谁,他怎么谈恋爱,角色做什么样的造型。时至本日,他为拓宽戏路 作出了无数的尽力,还是无能为力。他最被在乎的,是皮囊罢了。
   一个偶像的胜利
  作为杰尼斯事务所有史以来缔造的最巨大最成功的偶像,木村拓哉应当既心存感谢偶改心存不满。如果没有杰 尼斯的慧眼识珠,也去他不过是一个忙于养家的上班族,pink perfume,而后如果没有杰尼斯的干预与强迫性包装,也许他可以过快活放荡的明星式生涯。杰尼斯让他做了一个装潢性的 偶像,他不干如此,几回简直翻脸。木村被称为“KIMUTAKU”确当红时候,也不过领取一个月15万日元 的工资,这在日本是一般小人员的待遇,恼怒之下的木村为此向事务所发出挑战,交涉后薪水变成了可观的200 万。他甚至犯了事务所的大忌,断然决绝地结了婚。要知道,杰尼斯的偶像素来是不准结婚的。木村的四位SMA P队友也同样位置斐然,却时至今日不能结婚,因为事务所以为男偶想结婚之后便会失去女性爱戴。2000年1 2月5日,木村拓哉迎娶大他2岁的女明星工藤静香奉子成婚,举国震撼。NHK电视台以“国名偶像木村拓哉闪 电结婚”为国是消息播放,他后来受到了事务所一连串的打击,然而观众的大力支撑却让别人气不坠。杰尼斯也看 开了,不再以刻薄的流水线偶像出产线的尺度请求他。那么多的电视台,广告商,上演单位找上门来,他是整个事 务所的门面;国名宠爱他,事务所当然溺爱他。木村1993年凭借《恋爱白皮书》正式登上天王宝座之后,这十 几年间,杰尼斯在源源一直地推出新偶像,同样的年青,同样的漂亮。然而,他们没有像木村那样荣幸的掐中了一 个名族的审美命脉,在上位的路上付出大批血汗,却很快被淘汰。杰尼斯偶像的fans总担忧自家偶像人气不再 会被事务所摈弃,而木村是个例外,他已经红到了一个不可能会不红的境界。
  或者。某作家的话足以阐明所有:木村兴许就是日本新男性的典型。他没有在荧幕上建立起可以代表一个时代 的男性形象,确切真正意思上划时期的top star。在日本,一个明星能偶像到什么田地?他就是那个标杆。
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Old 05-07-2011, 11:08 AM   #2
eachti24
 
Posts: n/a
Default

Mothers Day summons memories, in Inner Southeast Portland
Mothers are always around when we need them the most: Applying Band Aids and love to a skinned knee, sitting up in the late hours of the night when we we’re sick or scared, or driving us to a sporting event Red Prom Dresses, school, or our friend’s house.
Moms are so important to us that when a campaign was organized by Anna Jarvis to memorialize the lifework of her mother, Congress responded by creating a special day to honor all mothers in 1914, and Mothers Day was recognized nationally.
To bring the meaning of this day down to the level of Inner Southeast Portland pink prom dresses 2011, we gathered a few memories and events that a few Sellwood and Westmoreland residents have shared with us about their mothers.
Ilse Rollow
Suzanne Rollow and her sister Nina have lived in Sellwood for over sixteen years. Their mother Black Prom Dresses, Ilse Rollow, lived most of her life in Washington Short Prom Dresses, D.C., but when she retired she agreed that it would best for her to live close to her daughters in Portland. Worried about whether this was the right decision Long Prom Dresses, the girls were surprised when Ilse started making friends immediately. She even adopted a cute Shih Tzu dog named Buzz, who had occupied the front window of Jeri’s Dog Boutique which Ilse walked by each day on the corner of S.E. 13th and Bidwell (now the site of the new Umpqua Bank).
“Our mother was welcomed into the dog world of Sellwood with open arms and wagging tails. Over the years her East Coast wardrobe became replaced with comfortable dog walking clothes and baseball caps for the Oregon weather. She knows all the dogs’ names, but sometimes forgets the owner’s names. You’ll still often see Ilse and Buzz walking in Sellwood Park, or down by the river chatting with friends.
“The neighborhood is her own little village, and she rarely needs to travel too far outside the orbit. When my sister Nina and I first moved her out here Sweet 16 Dresses, we worried that she might get isolated. Obviously, that wasn’t a problem, as Nina and I are now commonly known in the neighborhood as “Ilse’s girls.” We are all thrilled to call Sellwood our home,” reported Suzanne Rollow.
Leslie Goldsmith
The Goldsmiths, Jim and Leslie, have owned the Den of Antiquity for over 35 years. The Goldsmiths lived at 8012 S.E. 13th Avenue Prom Dresses 2011, running the antique shop out of the front of their house. Later ball gown dresses, an addition was constructed over the front yard, and the Goldsmiths were able to sell furniture and goods in a shop closer to the street. Here is a glimpse of what Leslie’s daughter Cheryl Stavrianeas remembers:
“My mom, Leslie Goldsmith, is an amazing seamstress, and made many dresses and costumes for me, growing up. There was a dress-up-as-your-favorite-storybook-character contest held at Sellwood Park, and Mom made Tweedle Dee and Tweedle Dum outfits from the story “Alice in Wonderland” for my sister and me. Naturally Best Seller, being the youngest, I was Tweedle Dum. To complete a wide waist, the pants were sown to a hula hoop, and suspenders were attached so we could keep the ensemble up. An unforeseen consequence was that bathroom breaks were nearly impossible. I still marvel at Mom’s ingenuity and inventiveness.
“While at the shop, my Mom spent a lot of time in the back room refinishing furniture, researching collectibles, and pricing items to sell. Mom encouraged me with my first business venture. I took advantage of the popular Sellwood Sidewalk Sale and established a lemonade stand to cater to thirsty shoppers. At the end of the day, I repaid the start-up charge and initial investment, and kept what was as my profit. After college, I returned for the Sidewalk Sale once again � but this time I sold antique furniture that I had purchased and refinished. Mom’s lessons were put to good use,” recalls Cheryl Stavrianeas.
Joan Blomberg
Be it dressed up in her finest finery or wearing the simple clothes of a country girl, Joan Blomberg has found herself comfortable in both the rural and urban lifestyles. Joan returned to the Sellwood neighborhood, where she had grown up, in 1984. She opened up her shop “American at Heart” on the southwest corner of S.E. 13th and Tenino in a building that the Sellwood Post Office once occupied. Joan visited this particular Post Office many times during the 1930’s with her parents; her store in the same space now caters to couples looking for American country and colonial furniture. Topics related articles:


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