Editor's Note: Are you still struggling in the mortal world, you are still guarding some kind of miss it a bitter love, never opened flowers of the Lantern Festival ... ... Chia Tsz flies lively though not city people, but do not have some fun.
night has just come, men and children every household will be ready for the red candles to the cemetery of his home to go to the passing of the tribe to send light, the way a number of burning paper money. Candles and a small stress, the root of the whole can not be used to advance on a point, or on the age of old people will say: They are at home to find many parched corn cob, poured some of the diesel in the above, point it, sprinkle some in their houses, suddenly become bright red the whole village. To send light back to the men and children, with this bright bonfire, fireworks, and on his own to buy up the discharge of firecrackers, fireworks decorate this beautiful night sky, the thunder of firecrackers resounded through the universe the universe, filled with men and women face holiday smile, the children holding their own paste a small lantern in the street running and shouting, happy are they. Burst of effort, Sun Tuen Tsz over the beautiful fireworks everywhere, everywhere in the air was filled with fireworks taste, look afar, a small lamp lit everywhere, forming the spectacular Great Wall winding.
the Sun Fu Chia Tsz old man and his wife today, but Lebuqilai, because tomorrow he's baby daughter, Sun Guigui and her boyfriend would go south to work, and a daughter this old man life, the walk, he Some could not bear. Gui Gui is the name of the village a beautiful girl, although very few clean edges of Zinfandel, but come out slim supple white skin clarity, and Gui Gui's boyfriend is the handsome guy, went out last year, this year has been changed back get a suit, who has not see the appearance of the village, he named Li Lele, a former village. Gui Gui and Lele in hand, in their own yard to see the sky of fireworks,
moncler femme, Guigui some boring, but Le always happy to talk about some of her things, her laugh, Lele know Gui Gui Some want to leave home.
Sixteenth morning, Gui Gui and Lele set foot on the southbound train. Bumps along the way, they finally came to the open city of Guangzhou. Lele first led Gui Gui to own rental place, which is a low small break room, and the streets of tall buildings, busy in sharp contrast. Lele said with a smile: take a break, he went out. Gui Gui hands down the package and began to pack up the house a mess and Gui Gui to pack for a while. Lele then came back, holding a rose, but also bought a large bag delicious. Rose entered the room will be sent to the Gui Gui, Gui Gui took the roses smell the smell, said: country folk, but this festival. you sit down, two to dine. Lele looked Guigui very happy, drink some wine, said: too far kissed mouth Gui Gui. Guigui blushed, Lele and then hold off Gui Gui kiss up, Lele's hand tightly holding Gui Gui, Gui Gui's ear constantly in the kiss, kept saying: Le Gui Gui holding down on the bed, he easily pulled off the lights. Two kissing each other in excitement off the clothes, the last ########## hold together, then Guigui open Lele said: trouser pocket and pulled out a box of condoms thrown into the bed, pushing the next Guigui Lele said:
next morning, Guigui up early, she and Le Le will clean soiled linens, hanging out, Lele see on Gui Gui said: next Lele said: his girlfriend, Gui Gui. . men came to this music, there are many forty-something woman to find this wine on the second floor on the third floor are private rooms, Gui Gui know hug lady into a private room, it will certainly be the kind of dry matter , she was tired of this kind of work environment.
Gui Gui and Lele came back very late every day, every day is home to 2 am, three o'clock. On this day Guigui on Lele said: low, we made enough money to go home to build a big house. The next day, Gui Gui at work, came a drunken man entered the room to see Gui Gui, he pulled from his pocket and pulled out in front of a dozen of money thrown into the Gui Gui said: to accompany, to go on to accompany Brother rooms. Kanliao Yan Heige, smiled,
abercrombie and fitch paris, picked up the money upstairs. Heige patted Guigui's shoulder and said:
This night, after work went to Gui Gui Lele, Lele on the third floor, Lele on Gui Gui said: The guests had dispersed, and Heige find Lele go out to eat barbecue, Heige looks like a very happy, and even drank cups Lele, Heige fifty thousand dollars from his pocket and handed Lele says: 喝了一口酒 fierce eyes stared at fifty thousand dollars, Heige said with a smile: , this matter so that Gui Gui know that she will forgive you? know you for the money and the old woman with wheels and ... find him, Lele drank a big gulp of wine, will be the key to throw Heige own home, then pick up the fifty thousand dollars left, Heige took the keys, smiling away.
Heige the door open Guigui sleep, quietly stripped off his own clothes, can not wait to open a quilt drill into Gui Gui, Gui Gui at first thought it was Lele, then does not feel right, one will be black brother pushed out of bed, Heige made love like a bull, blasted to hold fast to Gui Gui, picking her clothes,
chaussure louboutin pas cher, repeated struggle, Heige or forcibly took possession of Gui Gui, black Athenagoras crying your lights on you said: Lele is not good, now to accompany the old woman to sleep it? music delivery, and Gui Gui pick up water bottles to be shattered. Guigui dressed taxi to Lele live to kiss the old woman's face to Wen Qu, Gui Gui burst into the downstairs to see this go.
fast bright days, Lele before returning to residence, entered the room, he found the house lights on, Gui Gui disappeared, leaving a note on the bed to see Lele, a note that read: Lele You go make your money,
abercrombie paris! You accompany the old woman now! I left. Lele paper slumped on the bed watching, and torn to pieces after the note ... ...
Gui Gui Jia Tsz back with tears, came home, threw herself into her mother's arms a cry, angry father Sun Fu Zhi Ma. The next day, Guigui sick, Gui Gui back because no one knows, no one Sunfu talk to anyone. Months after the Guigui was married Hebei, is Gui Gui's Eryi to introduce, before marriage, Er Yi led Gui Gui to the hospital made a false hymen, the first night wedding, the groom is not the same and Gui Gui bed, the hymen and lost, confused Manchuang are red syrup, groom glared Gui Gui, Gui Gui made it clear to his groom all, the groom did not forgive her,
doudoune pas cher, and divorced the next day.
This time, Gui Gui Jia Tsz did not return, her car went to Guangzhou to nightclub work, Gui Gui With his good looks, and soon became a nightclub performers. On this day, is another year of Valentine's Day morning, a young man came to the club holding the roses, send flowers to the nightclub boss Wu Jie, Gui Gui just downstairs, Gui Gui shocked to see young , the young man is none other than the Lele, Lele was shocked to see Gui Gui, Gui Gui ran out open Lele, Lele throw away the hands of the roses out to recover, but came out Lele the figure has gone Gui Gui ... ...
few days later, Lele saw a revelation to find dead, the deceased was a car accident caused by drunk, feeling like Gui Gui Lele, Lele came to the Public Security Bureau, found that the deceased really is Gui Gui, Gui Gui Lele holding the head of tears.
Soon, Le Gui Gui of casket holding back Chia Tsz, Gui Gui halo parents cry a few times, Lele bought a lot of fresh roses studded with Gui Gui's grave ... ...相关的主题文章:
Only in the lonely night
learn to be patient
from Guangdong
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."