Giorgio Armani donned his gray-tinted sunglasses for a reliable selection that catered myriad variations among the independent colour and lots of textured weaves and glossy or matte finishes.
The coats, long and short, prim and casual, is quite standouts, which comprise the sweeping wool greatcoat that opened the show, long shearling aviator-inspired ones, and other people with hoods and toggles.
Armani slicked a wrap of silvery luster onto puffer jackets, formed bomber jackets from crocodile, and took the peacoat in the current intention, crafting it in lightweight fleece, with patch pockets by with a Nehru nab.
In a period of moderate tailoring, Maestro Armani was in his element, cornering out soft silhouettes, some body-conscious, other folk looser and others draped.
Velvet found its way onto waistcoats that had been layered below gray flannel jackets, and onto trousers and tracksuit bottoms. The velvet bottoms had been coupled with nubby, textured or plaid jackets in shades of pewter, gunmetal, and ash.
Armanis soft-focus profiles too arrived through the jersey shirts or knitted waistcoats namely had been wafered under velvet jackets, and through the extensive pleat-front trousers and shorter, boxy jackets which occur to be entire the rage about the runways here. And while his colour palette may well have strike a single note, there is a rebel of choice here as fans of Armanis soft yet sure touch.
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